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“大鱼”朱兴国个人作品展将于兰空间开幕

2016-04-27
来源:凤凰艺术

大鱼

展览时间:2016年4月23日—2016年6月7日

开幕时间:2016年4月23日 15:00

参展艺术家:朱兴国

展览地点:北京市朝阳区崔各庄乡草场地甲8号醉库国际文化创意园·A5 兰空间

电话:+86 010–8467 0656     开馆时间:周二至周日  10:00—18:00

北京兰空间艺术中心主办以及策划的“大鱼”朱兴国个人作品展将于2016年4月23日15:00在北京草场地醉库文化创意园兰空间隆重开幕,本次展览将展出朱兴国近几年创作。

朱兴国说:“这些画,把它们从画室带到兰空间,就像老圣地亚哥,把鱼骨从海上带回岸边。我无法过多陈述。这些画无法为你呈现“大马林鱼”的肥美,但它却留有以命相搏时的痕迹......”

兴国的画面里有某种不知是因为外在技法、技术上力所不逮的局限,抑或是内心深处某种不为人所知的隐秘的冲突,而造成的不顺畅以及笨拙。这样的不顺畅以及笨拙配合上一个简约、概括的形式的结果本应使画面的表现力劣化,然而,却准确传递出一种“虽身处这个世界,却不属于这个世界”的生存状态。我觉得这样的认知是非常了不起的,藉此,我们才会不断地追问自己是谁,来自于何处;又因意识到自己这个个体生命在世界和宇宙中的绝对的孤独性,因对人类孤独、无助的真实境况的深刻理解,我们才会爱他人,爱生命本身。

 

乐手 No.1 Musician No.1 20cmX30cm 布面油画 2014 Oil on canvas

镜中少年 Juvenile in mirror 180x120cm布面油画 Oil on canvas 2014

玫瑰与少年 Rose and juvenile100x100cm 布面油画 Oil on canvas 2014

少年 juvenile 100x80cm 布面油画 Oil on canvas 2014

蛇与少年 No.1 Snake and juvenile No.1 150X120CM 布面油画

蛇与少年No.2 Snake and juvenile No.2 180x120cm 布面油画 Oil on canvas 2010-2011

蛇与少年No.3 Snake and juvenile No.3 120cmX90cm 布面油画 Oil on canvas 2015

 

乐手 No.6 20X30CM 布面油画 Oil on canvas 2014

Titel: BIG FISH

Exhibition time : 23rd.April. 2016- 7rd. June.2016

Opening:23rd.April. 2016  15:00

Artist:ZhuXingGuo

Address: Zuikulntemational Cultural Park of Caochangdi,Airport Service Road Chaoyangdistrict. Lan Space

http://lanspaceart.com   E-maill:gallery@lanspaceart.com

Tel: +86 010–84670656  Hours : Tuesday to Sunday  10:00—18:00

Beijing Lan  Space  Gallery proudly annonces  Zhu XingGuo's solo  exhibition “BigFish” highlighting his  recent works. The grandopening of the exhibition will be at 3pm on April 23, 2016. Lan Space islocated in the Zuiku International Cultural Park of Caochangdi.

Zhu XinGuo say “He brought thepaintings from the studio to Lan space, just like the old Santiago, the fishbone from the sea back to the shore. I was unable to excessive statements.These pictures can not be rendered for your" big marlin "sublime, butit left  Competing  with traces of  life  when ......"

In Xingguo’s paintings, theresomehow exists some awkwardness and disfluency, which might be out of his innerconcealed conflicts, or of his incapability on the drawing techniques and mastery.The awkwardness and disfluency as such, plus a simple and generalized drawingformal language should have led to a result that makes his paintings’ expressiveness deteriorated, however the ultimate outcome turns outto be such an effect that may give an index to we human beings’ predicament, “though we are in this world,but not of this world. ” - a cognition that one whorealizes he actually is a sojourner, a pilgrim, an alien against this earth.

It is out of my humble opinion that thecognition like this is tremendously magnificent, for by which we can questionfurther “who am I ?” and“from where I came ?”; in addition because we haveperceived everybody as an individual existing in this world and in this vastcosmos as myself holds an absolute loneliness, we could therefore comprehendthe loneliness and helplessness of all human beings’also, hence we could love our neighbours, love the Life itself.  

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